't believe i'm sitting here. >> stephen: it's real lucite, baby. let me ask you, so i would think the hardest thing to do in acting is dance, like just be uninhibitied. i don't think-- i can barely do it at parties when i'm hammered. >> you know, this is me most of the time. i'm definitely -- >> a wall flower. >> absolutely. >> stephen: so how do they-- what do they do to get you guys to be uninhibitied or to let loose? do they have to-- is that two hours into it, how do they do it? >> you're doing on the road, don't mess it up. >> did you feel that pressure. >> yeah, i think that was the main thing that sort of kick started everything for us, is we sort of felt like we would do anything for it yeah, i was pretty scared of that scene. because my mom-- homes are few and far between where i really get to exhibit, you know, like pure sort of wild nature, exuberance. >> stephen: and are you such a muse in the film that it is such an important catalyst element. >> yes, it is. she definitely needed to represent what the it of on the road is. >> stephen: right. >> and wordilessly sort of needed to.